Society Builders
Ye at the Oxford Guild, 2015: Creativity as a Sport, Time as Luxury, Beauty for Everyone
In March 2015, Ye spoke to Oxford University's careers society for nearly forty minutes without a microphone. The lecture's lessons on building yourself: aim high out loud, treat creativity like a sport, let the best idea win, value time over status, and build for access.
Akmal Alif · 8 October 2026 MYT

Society Builders is where we listen to people who have reached the top of their field, in music, sport, politics or anywhere else, explain how they built themselves and what they think others can take from it. The first is a lecture from 2015.
On 2 March 2015, Ye, then known as Kanye West, spoke to the Oxford Guild, Oxford University's careers society, at the Oxford University Museum of Natural History. About 5,000 students applied for roughly 350 places. Ye removed the table set out on stage and spoke without a microphone, roaming the room (Bolohan, 2015). The Oxford Guild released the full recording later that year (FACT, 2015).
The version embedded below is an unofficial 2026 upload whose audio has been reworked to make the unamplified talk easier to hear (SAMTREETV, 2026). Ye was given one question and about twenty minutes, and spoke for nearly forty as a stream of consciousness. The timestamps jump to the matching moment.
Art school, and the right to aim high
The question was about how Ye's aesthetic had progressed, and the answer starts with background many people did not know: art school from the age of five, art competitions from fourteen, and an art scholarship to college (watch from 1:07). Ye chose the American Academy of Art because it offered the biggest scholarship, and says that, looking back, the better choice would have been to find the strongest education available (watch from 2:08).
The goal, if fine art had been the path, would have been to become Picasso, or greater. Ye notes that this always sounds funny to people, and argues that the reaction is the problem: being told you may not compare yourself with the great figures of the past is a mentality that holds people back (watch from 4:10).
Creativity approached like a sport
One of the most practical ideas in the lecture is about method. Ye credits the volume of work produced over twelve or thirteen years partly to a love of sports, and describes approaching creativity the same way: competitive and physical, reacting to a good drawing with a child's excitement (watch from 6:11).
Everyone in the room is creative, the lecture says. Some people are artists of business and some are artists of conversation, but creative people have often been taught to hide, keeping their ideas quiet and their black nail polish out of sight, for fear of ridicule (watch from 7:13).
Focus under pressure
Ye describes criticism as a crowd of opinions coming from every direction, and borrows an image from The Matrix: the many agents attacking Neo at once (watch from 9:15). With a focused reason why, mentors and a team, the world seems to slow down, the way Michael Jordan described the rim looking wider (watch from 9:50). Ye and the team had a running joke in early 2015, “it's still February”, because of how much work they had shipped in two months (watch from 10:51).
Collaboration, and letting the best idea win
The thread that runs through the lecture is collaboration. Ye argues that any better future can only come through it, and contrasts Elon Musk, who invited others to take the ideas and run with them, with Steve Jobs, who did not give Apple's ideas away. The line Ye draws from it is that ideas are free and you cannot be selfish with them (watch from 11:54).
The clearest example is from the album My Beautiful Dark Twisted Fantasy. Nicki Minaj's verse on “Monster” outshone Ye's own on Ye's own song, and Ye kept it, calling that one of the most important decisions on the record (watch from 24:25). Ye names ego as an Achilles' heel and says that if Ye can set it aside, anyone can (watch from 26:58). In the creative process, “the best idea wins”: Ye points to how Pixar and Apple worked, and to stage shows built by strong-willed specialists made to work together (watch from 28:01).
Time is the only luxury
A quieter passage is about joy. Ye describes the artist Vanessa Beecroft giving Ye's daughter three toy wolves, and says Ye had never seen the child happier (watch from 14:59). That kind of happiness, the lecture argues, is what people have been sold through advertising, cars and fashion brands (watch from 17:03).
Ye's answer is a line repeated often: time is the only luxury, the one thing you cannot get back. Lost luggage can be found; lost time cannot (watch from 17:33). The picture Ye paints is of someone who works for decades for a car and a house, then sits in traffic in the car and finds the feeling empty (watch from 18:39).
Fighting for ideas
Near the end, Ye talks about reputation. People say Ye has a bad reputation; Ye's answer is that it is the best reputation in the building, because the alternative is hiding your ideas in the corner of the class for fear of being ridiculed, or called crazy (watch from 30:35). Ye then turns to family: two parents who were both educators with PhDs, a mother who led an English department, and a father who later built a café around clean water. Ye says of them that Ye feels nowhere near as smart as either (watch from 31:06).
Beauty for everyone
The lecture closes on access. Having grown up middle class, Ye says, it was a shock to discover how much beauty is available to the rich, and the conclusion is that beauty has been taken from people and sold back to them as luxury (watch from 34:12). Clothing, which everyone has to wear, should be priced like food. There should be no $5,000 sweater, and the best designers and engineers in the world should work on things ordinary people can afford (watch from 35:15). The final question is what good anything is if everyone cannot have it (watch from 36:21).
What to take away
Read as advice on building yourself, the lecture comes down to a few habits:
State the ambition out loud. Aiming to be among the best in a field is not arrogance to apologise for; it sets the standard for the work.
Train like an athlete. Treat creative work as practice and volume, with the same competitiveness you would bring to a game.
Let the best idea win. Collaborate with people who are better than you at something, and keep their contribution even when it outshines yours.
Spend time, not status. The scarce thing is time with people, not what you can buy.
Build for access. The point of making beautiful things is that more people get to have them.
References
Bolohan, S. (2015, March 2). 5 things we learnt from Kanye West at Oxford. Huck. https://huckmag.com/article/kanye-oxford
FACT. (2015, December 8). Watch Kanye West's Oxford University lecture. FACT Magazine. https://factmag.com/2015/12/08/watch-kanye-west-oxford-university-lecture
SAMTREETV. (2026, August 18). Ye lecture at the Oxford Guild [Video; recorded 2 March 2015, unofficial upload with reworked audio]. YouTube. https://www.youtube.com/watch?v=ONPI7rVU0t4